Of course the high-profile names involved in zero degrees were bound to generate a buzz and attract a cross-over audience: The roster of names was no doubt a boost for publicity and ticket sales. But the great idea — a risk, certainly — was for Khan and Cherkaoui to work together. The two had met before on a number of occasions, and they do share some common ground.
Khan has said his body is his home. It may feel palliative, but never medicinal. Was the timely "Zero Degrees" tweaked? Jones updates his works to reflect current events. With simpler means, and more cogence, "Zero" asks the same questions that Jones does.
What responsibility do we have for the ills of the world? But the larger scale "Zero Degrees" revels in the language of movement, its mystery preserved with its possibility for revelation. But its message about unity ripples outward as the piece progresses. It then narrows and distills, pointing at a specific location, Jerusalem.
They dialogue with movement, sometimes mirroring each other and more often weaving arms while facing each other. In solo, Cherkaoui tumbles, his chest or head the point of contact with the floor.
Khan whirls fast or dances with curving kathak arms and articulate hands. The narrative proceeds like narrative in Eastern traditional forms. Cherkaoui dances on the floor, exquisitely doublejointed, with his foot around his shoulder. Then he walks toward Khan and places his foot on Khans shoulder.
They dance together with percussive heels and toes alternating, as in Kathak. Khan is trained in that North Indian classical dance form. Cherkaoui trained at P.
He is a sought after choreographer; his "Loin," performed at the Joyce last year, also features song, spoken word and skat. He dances in the eclectic Ghent company Les Ballets C.
In "Zero" the two drag around two stuffed life-sized men cast from Khan and Cherkaoui by British sculptor Antony Gormley. At first Cherkaoui mimics them acting like a rag doll.
It zeros in, as we relax in its gorgeous moves and moments of physical and verbal comedy. Finally, it is gravely serious.Secret Arduino Voltmeter – Measure Battery Voltage - A little known feature of Arduinos and many other AVR chips is the ability to measure the internal .
Born in south London, , to Bangladeshi parents, Akram Khan began dance at the tender age of three. He was taught Bengali folk dance by his mother and at seven, began studying kathak (a classical dance style from north India) with teacher Pratap Pawar.
Of course the high-profile names involved in zero degrees were bound to generate a buzz and attract a cross-over audience: visual artist Antony Gormley, most widely known for the Angel of the North; Nitin Sawhney, a consummate musician with numerous awards to his name; and choreographer/dancers Akram Khan and Sidi Larbi Cherkaoui, both .
All the latest news, reviews, pictures and video on culture, the arts and entertainment. Exploring the practitioners Zero Degrees (Khan & Cherkaoui, ) Who did Khan and Cherkaoui collaborate with on Zero Degrees? Nitin Sawhney This session will provide. Watch Section 1 of Zero Degrees again Watch Section 2 of Zero Degrees Identify examples of: Khan's movement style Cherkaoui's movement style Aural setting Physical setting Watch the first part of the interview with Akram Khan and Sidi Larbi Cherkaoui.
Take notes on: What they describe as the themes embedded in Zero Degrees ().