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Images of autumn gardens, wooded lanes, potting sheds, allotments The identification of food as art by elisabeth telfer and kevin sweeney all things quintessentially old fashioned England tumble into the head as he sings of sitting watching ducks on Sunday morning while, with just voice and piano accompaniment, the haunting Ides of March sounds what you might image English spirituals to sound like if such things existed, while with big orchestration and a bigger budget Last Orders could easily translate into the sort of stadium sweller beloved of Coldplay.
He opens with Heart Of Stone, a driving blues rock tune that shows his strengths as a guitarist. His wistful voice will take a little getting used to though. He manages to convey his troubles on this one. The blues continue with the slow, rocky sound of Poor Heart, which is sung in a Joe Cocker style.
What does strike home here is that his voice is far better suited to the slower AOR sound. The theme stays on the slow side for All Went Wrong so get your lighters out for this and sit back for the scorching guitar.
The album finishes with a radio edit of the earlier Lady Luck. Paul Camilleri certainly has talent as a guitarist and songwriter but it may be some time before his voice grows on you. David Blue Alex Campbell - Been On The Road So Long Castle Widely heralded as one of the most influential and lasting of the folk singers of the European revival, the mighty and irascible Alex Campbell who died in was the quintessential wandering troubadour who earned a reputation as a hard-travelling, hard-drinking, hard-living man, despite which he was unarguably a phenomenal live performer of traditional and contemporary material alike.
A good number of these songs were even then folk club standards, and others have since become such, but these passionate, distinctively burring performances have rarely been surpassed, although one or two eg Bruton Town seem decidedly dour. Whatever, all of the songs already mentioned in this review are included on this handsome single-disc anthology, which stretches to 79 minutes and thus represents a real bargain.
What comes across more than anything else is that the project has been a real labour of love for Fil: The series is also strongly unified both in style and format and in terms of design and presentation, and looks and sounds extremely attractive, with archive film extracts and interviews sensibly balanced and integrated.
Each programme seems just about the right length, and no individual element outstays its welcome - and yet I also felt I learned a significant amount about the ladies and their personalities from these brief portraits.
The basic biographical information is fleshed out by reminiscences from an array of respected and experienced musicians, writers and broadcasters these including Mick Moloney, Colum and Tommy Sands, Phil Coulter, Reg Hall, Steve Cooney and Ron Kavanaall of whom display an evident warmth, regard and admiration for the ladies and a keen appreciation of their talents and a relevant depth of informed knowledge with often some very interesting stories to tell.
Finally, a number of excerpts from the recording-studio sessions where Fil and a select few master musician friends performed key songs associated with the singers discussed set the actual biographical studies into relief and give them an interpretive context.
Each of the remaining five programmes in turn is then seen to concentrate exclusively on the life and work of one of the "first ladies of Irish song".
While noting that all five ladies were in their own way popularisers of Irish song and their semi-traditional way of singing even non-traditional material ensured that this got fed back into the tradition almost by defaultthe series also points up the contrasts between them, from the raw, but completely natural street-singer Maggie to the soaring, classically sweet bel-canto soprano and elegant harpistry of Mary; the wild, unbridled charm of Delia to the lift-the-stage persona and come-all-ye inclusiveness of Bridie and the all-pervading purity of tone and Hollywood-style artistry of Ruby.
The first thing to note is that it is indeed both entirely complementary to, and a logical development from, the DVD. The songs all suit her down to the ground, and she luxuriates mildly in the expression of these old-fashioned sentiments the DVD extracts show just how much she revels in singing them, but you can hear it on the audio tracks too.
Fil also benefits enormously from the gently-conceived and ultra-sympathetic musical accompaniment courtesy of a worthy crew that includes her percussionist-husband Tom McFarland, James Blennerhassett bassBrendan Emmett guitars, mandolin, banjoSeamus Brett keyboards and Brendan Monaghan uilleann pipes, whistles.
Fil can through her own masterful reinterpretations justifiably lay claim to being a contemporary equivalent of the celebrated "first ladies", you might say.
One other, more minor point regarding the CD: The above reservations notwithstanding, the whole project DVD and CD has proved immensely worthwhile; the discs are great value as they stand, and all credit to Fil and Tom for their initiative and skill in producing what amounts to such an intensely rewarding and treasurable experience: Elsewhere his weary waltzing and Texas desert dustiness might find yourself thinking of a Celtic infused Steve Earle or Tom Pacheco but, strangely, also Mark Knopfler.
Mike Davies Isobel Campbell - Milk White Sheets V2 Following her collaboration with Mark Lanegan, for her new label debut the former Belle and Sebastian cellist has come over all folky, looking to recreate that leafy, cobwebby pastoral sound on a collection of self-penned and traditional numbers.
Take that old standard Reynardine, a song long associated with Sandy Denny, where her fey, wispy reading robs the song of its dark sensuality while Hori Horo cries out for something of less gossamer persuasions.
Imbued with grace, there are some fine moments here. Her self-penned Yearning, with what sounds like a crumhorn in the background, is a lovely medieval courtly dance number, James a frisky instrumental tumble on the acoustic guitar while the title track offers a fine instrumental showcase for her cello playing, complemented by tinkling harp.
Well, no problems there then.
Faith takes centre stage on the I Will Be Your Rest, a soulful ballad that calls to mind early 70s Bonnie Raitt and Karla Bonoff, while the more specific God Bless You Arthur Blessitt, again co-written with Kimbrough, pays tribute to the Mississippi travelling Christian preacher who carried a cross through ever nation of the world.
The peace of God also informs Alabama Department Of Corrections Meditation Blues which, musically what it says on the lid with a chain gang rhythm, is sung in the persona of a lifer finding freedom and peace after accepting Jesus. Opening the show with Miles Of Blues, the set pretty much offers an overview of her musical stylings and lyrical concerns, taking in folk, gospel, blues and country with songs that address social, spiritual, racial and political concerns.
Give it a listen. Another American icon fuels the church organ backed gospel Everybody Knows Elvis which links Presley and Jesus in a meditation on loneliness and the unknowable. The latter makes a repeat appearance on Looking For A Jesus which, in a duet with John Prine and featuring a clarinet solo, addresses the blurring of the spiritual and the commercial in the contemporary quest for faith.
With it, Kate Campbell has recorded a celebration. But it is a gospel album and as such it is a slightly humbling experience. Faith to Kate Campbell is not just a set of rules to live by, Without Him is a cry from the heart, completey open, completely honest and utterly compelling.
What more can you ask of it. Not that her own work needs bolstering.Search the history of over billion web pages on the Internet. Bruno Peault. Identification Of An Evolutionarily Conserved Host Response Against IsdA And IsdB As A Virulence Factor Associated With Death In Patients With Staphylococcus aureus Musculoskeletal Infections Kohei Nishitani.
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adventure, even tragedy. Using artifacts, images, audio-visual presentations, and art, Echoes in the Ice: History, Mystery, and Frozen Corpses examines Arctic exploration.